Zanele Muholi: Visual Activism Illuminates Tate Modern – A Groundbreaking Retrospective of Love, Identity, and Resistance!
- James Nicholls
- Jan 13
- 1 min read

In the early series Only Half the Picture, Muholi captures moments of love and intimacy as well as intense images alluding to traumatic events – despite the equality promised by South Africa’s 1996 constitution, its LGBTQIA+ community remains a target for violence and prejudice. In Faces and Phases each participant looks directly at the camera, challenging the viewer to hold their gaze. These images and the accompanying testimonies form a growing archive of a community of people who are risking their lives by living authentically in the face of oppression and discrimination.
Other key series of works include Brave Beauties, which celebrates empowered non-binary people and trans women, and Being, a series of tender images of couples which challenge stereotypes and taboos. Muholi turns the camera on themself in the ongoing series Somnyama Ngonyama – translated as ‘Hail the Dark Lioness’. These striking, reflective images explore themes including labour, racism, Eurocentrism, and sexual politics.
Based on the artist’s 2020-21 show at Tate Modern, the exhibition includes new photographic and sculptural works.
On at Tate Modern until 26th January.
Best wishes
James
Chairman
Nicholls Art Group
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